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The reds of the paintings with the two beds or the caravan evoke images from David Lynchs films. Based on the photo Szucs paints a new, autonomous picture which reflects the narrative of the original photo. However, as we have seen, the act of painting, the correlation of the colours, therefore the conservation and exploitation of the capabilities of painting is an especially significant factor in Szucss art. Columbo, his new hero is a looser, but the same time an intellectual power borrowed from the mass media.
Szucs re-construct the still images taken from tv-sreens in order to explore the deep structures of the scene.